Verba Volant. Revista de Filosofía y Psicoanálisis

LACAN: HEGEL. EL OTRO COMO FORMADOR DEL SUJETO.

Germán David Arroyo — Wed, 26 Jan 2022 16:35:37 +0000

The present paper aims to study the relationship between Hegel and Lacan regarding subject's formation. Our thesis is that both the former and the latter elaborate their own theory of subjectivity having as the foremost elements the relationship of the subject and the Other, and the intervention of desire in this relationship. Moreover, we propose to point out the differences between both authors, beyond the obvious differences on time and matter. The general frame in which our paper is inserted is that of the link betwix Psychoanalysis and Philosophy, a very little explored one, but that may be fruitful if approached responsibly and rigurously.

ERÓTICA POSESIVA Y POLÍTICA DE LA POSESIÓN:

Ivan Judcovski — Thu, 27 Jan 2022 16:03:39 +0000

ABSTRACT: I propose a critic view about the stood of love like a object possession, linked with the social decadence of the democracy founded up an interested politic exercise. I focus on the Alcibiades speach during his interruption inside the platonic “Symposyum”, to development the alcibiadic erotic suggest making paralelisms with historic data (about the true character and the sociopoliticals events happened inside the athenian polis during his life), to get reflextions implicated in those events, and then produce an inmanent critic of this possessive kind of politics but taking certains thoughts about this erotic perspective.

El concepto de ciencia conjetural en la enseñanza de Jacques Lacan

Rafael Arroyo Guillamón — Thu, 27 Jan 2022 16:04:55 +0000

The practice of psychoanalysis is widespread. However, from many areas its effectiveness is doubted, questioning its scientific nature. It is therefore pertinent to study the relationship between psychoanalysis and science. This work addresses it partially, reviewing the position of the psychoanalyst Jacques Lacan. The objective is to analyze all the opportunities in which Lacan mentioned in his work the term conjectural sciences, with which he referred, among other disciplines, to psychoanalysis. A qualitative, documentary and descriptive investigation has been carried out through systematic reading and subsequent analysis of the citations found. Several axes that outline Lacan's approach have been identified and analyzed. It is concluded that conjectural science is a well-defined concept in Lacan's teaching, which is useful to discuss the relationship between psychoanalysis and science in the work of said author.

Jean-Louis Chrétien y Jacques Lacan, estructura y demanda: llamadas replicantes a un origen moderno

Demian Sadrinas — Thu, 27 Jan 2022 16:06:19 +0000

The present work attends to look into certain conceptions about the relationship between subjectivity and alterity, focusing on the constitution or origin of both instances. The proposed cutout includes a historization about phenomenology, a paradigmatic discourse that reflects on the linkage of subject and world. The journey logically begins with Edmund Husserl, who treats the other as a secondary effect of the self. The way continues with Jean-Louis Chrétien and his approach to the structure of the call. This concept is critically taken from Martin Heidegger and Emmanuel Lévinas, and it problematizes a supposed originating entity, given from the beginning as a creator. Towards the end of this work the psychoanalysis of Jacques Lacan will be required, in order to think about the call as a demand coming from the Other. It allows to place the birth of the subject on a singular status.

TEMPORALIDAD Y PERCEPCIÒN ESTETICA

Lucas Agustín Pérez Picasso — Fri, 28 Jan 2022 16:40:57 +0000

El presente trabajo pretenderá analizar brevemente la “Sinfonía nº 7 en La mayor, op. 92” y más específicamente su 2do. movimiento –Allegretto-, del compositor y pianista alemán Ludwig van Beethoven (1770-1827). En su análisis se estará trabajando referencialmente las obras manifiestas de Maurice Merleau-Ponty la “Fenomenología de la percepción” y de Sigmund Freud “Lo inconsciente”, “Más allá del principio de placer” y “La interpretación de los sueños”. Tomando de aquellos, los conceptos que se adecuen –preliminarmente-, para una interpretación cabal de la obra musical, y lleven desde este sentido, hacia la idoneidad y funcionalidad filosófico-explicativa de este trabajo. A su vez, nos estaremos abocando propiamente en los fundamentos gnoseológicos que se ven signados primordialmente en los conceptos de memoria, temporalidad y comprensión; arguyendo desde ellos la experiencia estética que suscita la pieza. No está de más decir que el centro del análisis de la obra de Beethoven -aunque su explicación lo requiera-, no estará propuesto totalmente en sus abarcativas características técnico-formales o compositivas, sino y a decir, en su expresividad, en lo que “tiene para decirnos” aquella como manifestación musical.